{"id":488702,"date":"2025-10-12T19:00:00","date_gmt":"2025-10-12T17:00:00","guid":{"rendered":"https:\/\/podcast.rs\/amila-ramovic-politicari-se-ponasaju-kao-da-su-hramovi-kulture-babovina-zaposlenih-o-prostoru\/"},"modified":"2026-05-05T09:21:42","modified_gmt":"2026-05-05T07:21:42","slug":"amila-ramovic-politicari-se-ponasaju-kao-da-su-hramovi-kulture-babovina-zaposlenih-o-prostoru","status":"publish","type":"post","link":"https:\/\/podcast.rs\/en\/amila-ramovic-politicari-se-ponasaju-kao-da-su-hramovi-kulture-babovina-zaposlenih-o-prostoru\/","title":{"rendered":"Amila Ramovi\u0107: Politi\u010dari se pona\u0161aju kao da su hramovi kulture babovina zaposlenih &#8211; O prostoru"},"content":{"rendered":"<p><a target=\"_blank\" href=\"https:\/\/www.buzzsprout.com\/2151425\/fan_mail\/new\">Send us Fan Mail<\/a><\/p>\n<p><b>Amila Ramovi\u0107<\/b>, muzikologinja i kustosica sa bogatom karijerom u polju savremene umjetnosti, go\u0161\u0107a je nove epizode podcasta <a href='https:\/\/www.oslobodjenje.ba\/podcast\/drustvo\/o-prostoru-sa-zecom-i-vukom\/'><b>O prostoru sa Zecom i Vukom<\/b><\/a>. Njeno profesionalno putovanje zapo\u010dinje 2000. godine u timu sarajevskog Muzeja savremene umjetnosti Ars Aevi, gdje \u0107e kasnije preuzeti ulogu izvr\u0161ne direktorice i ostati na toj poziciji sve do 2017. Tokom tog perioda organizirala je desetine izlo\u017ebi i me\u0111unarodnih umjetni\u010dkih projekata, te sara\u0111ivala sa istaknutim bosanskohercegova\u010dkim i svjetskim umjetnicima.<\/p>\n<p>Na poziv osniva\u010da Ars Aevija, Envera Had\u017eiomerspahi\u0107a, 2001. godine preuzima koordinaciju opse\u017enog programa saradnje s UNESCO-om, koji je uklju\u010divao vi\u0161e od 30 kulturnih doga\u0111aja, izlo\u017ebi i seminara.<\/p>\n<p>Me\u0111u njenim najzna\u010dajnijim kustoskim anga\u017emanima, izdvaja se samostalna izlo\u017eba Brace Dimitrijevi\u0107a na Venecijanskom bijenalu 2009. godine, \u010dime je dodatno u\u010dvrstila svoj status jedne od klju\u010dnih akterki na regionalnoj i me\u0111unarodnoj sceni savremene umjetnosti.<\/p>\n<p>Amila 2016. godine postaje dio sarajevskog tima \u0161kole film.factory, koju je osnovao ma\u0111arski reditelj B\u00e9la Tarr, a saradnju s njim nastavlja i na njegovim kasnijim projektima &#8211; izlo\u017ebi Till the End of the World i performativnoj instalaciji Missing People.<\/p>\n<p>Inicirala je i vodi Sarajevo Sonic Studio &#8211; internacionalni edukativno-umjetni\u010dki projekat posve\u0107en savremenoj muzici i zvu\u010dnoj umjetnosti.<\/p>\n<p>Od 2012. do 2016. godine obavljala je funkciju izvr\u0161ne direktorice Sarajevo Chamber Music Festivala, jednog od vode\u0107ih regionalnih festivala posve\u0107enih klasi\u010dnoj i savremenoj kamernoj muzici.<\/p>\n<p>Pored kustoske prakse, Amila Ramovi\u0107 je posve\u0107ena i akademskom radu &#8211; docentica je na Muzi\u010dkoj akademiji i Akademiji scenskih umjetnosti Univerziteta u Sarajevu.<\/p>\n<p><a rel=\"payment\" href=\"https:\/\/www.buzzsprout.com\/2151425\/support\">Support the show<\/a><\/p>\n<p>\u010citajte nas na: <a href='https:\/\/www.youtube.com\/redirect?event=video_description&amp;redir_token=QUFFLUhqbG1GOTJCYkg1aENERDhaYVQ1TFlRNGlQOFlMd3xBQ3Jtc0ttQUxLRmRtTXZsSm1mNjVaS0ZIVkt2d19fT1ZubGZkYzlSZk95T05YTUQ4RzlMWTFrTzBxaklMU3JMUzVpTGhWLXRRaUVpb29nOVFyd1J1UDM4WTBWNGVWSTRjeVI5Q0RvQ05qOUphQndLVV94RXF1RQ&amp;q=https%3A%2F%2Fwww.oslobodjenje.ba%2F&amp;v=ogUzzAgGjzE'>https:\/\/www.oslobodjenje.ba<\/a>\u00a0 \u00a0 FB :<a href='https:\/\/www.youtube.com\/redirect?event=video_description&amp;redir_token=QUFFLUhqa3VQQWdEWkQ5VlIyaXROWWpVeWxYUWNYR1ZEQXxBQ3Jtc0trTGx6UmQwTXdRLXRPNnowUGtBVmw3TzJ0QmtIb1B0ck1CT3hWU0V3a0JFOHVfMkJ1VDhTLXc4TUJXWDhWekU0UXQxYm1Va2wtM3dyQ1djTnU2djFtejBxcEg0QzJxTHhZNmpFejhCWWlRdE5YVFpwSQ&amp;q=https%3A%2F%2Fwww.facebook.com%2Foslobodjenjeba&amp;v=ogUzzAgGjzE'>https:\/\/www.facebook.com\/oslobodjenjeba<\/a>\u00a0 IG: <a href='https:\/\/www.youtube.com\/redirect?event=video_description&amp;redir_token=QUFFLUhqa1FsNjMtdmUtTS1vWUg5em5zaEpzOUdIOGhnd3xBQ3Jtc0ttdDB1SlRSVS1RTjRUZUtNODMxYnBJTnV2b0ItdjIzOEJCSVVpWXRIV1RSdmxPWC1DOFU3TVV4RmxNdW5nRkV6cE1ScXVjdTlvcDhYeEptNEszN1V1Q042eWpDOTZrTzk5ckQ1R2g3Nl9nWEt1OU5MWQ&amp;q=https%3A%2F%2Fwww.instagram.com%2Foslobodjenje.ba&amp;v=ogUzzAgGjzE'><a href=\"https:\/\/www.instagram.com\/oslobodjenj\" rel=\"nofollow\">https:\/\/www.instagram.com\/oslobodjenj<\/a>&#8230;<\/a>\u00a0 Twitter: <a href='https:\/\/www.youtube.com\/redirect?event=video_description&amp;redir_token=QUFFLUhqbVJvekE3SjJjbkVfT2xuR0ROekRPNVlfQ2EwZ3xBQ3Jtc0tsNDNVdW1ENDZqUHI3UW52S2NVU2VDcWxFLVJSczZjRnlfYjI1dHpfRERPcTJybkZJSThDME9rYVRUMk0zYnNMNFVJRktyNS0wTk9qaFVDQ2diLTBVMGl2RUxtZUFscGptYUxrbGF2X2NoRmsxdHVQOA&amp;q=https%3A%2F%2Ftwitter.com%2Foslobodjenjeba&amp;v=ogUzzAgGjzE'>&#8230;<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Send us Fan Mail Amila Ramovi\u0107, muzikologinja i kustosica sa bogatom karijerom u polju savremene umjetnosti, go\u0161\u0107a je nove epizode podcasta O prostoru sa Zecom i Vukom. Njeno profesionalno putovanje zapo\u010dinje 2000. godine u timu sarajevskog Muzeja savremene umjetnosti Ars Aevi, gdje \u0107e kasnije preuzeti ulogu izvr\u0161ne direktorice i ostati na toj poziciji sve do&#8230;<\/p>","protected":false},"author":4,"featured_media":488705,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[610],"tags":[],"class_list":["post-488702","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oslobodjenje-podcast"],"_links":{"self":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts\/488702","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/comments?post=488702"}],"version-history":[{"count":40,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts\/488702\/revisions"}],"predecessor-version":[{"id":684565,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts\/488702\/revisions\/684565"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/media\/488705"}],"wp:attachment":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/media?parent=488702"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/categories?post=488702"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/tags?post=488702"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}