Postoji trenutak kada se zapitamo gde su granice. Gdeprestaje na\u0161 li\u010dni prostor, a gde po\u010dinje odgovornost prema drugima? Kada obaveze postaju prete\u0161ke i kada je vreme da ka\u017eemo \u201ene\u201c?<\/p>\n
Granice nisu uvek fizi\u010dke. One su i mentalne, emotivne iprofesionalne. Postavljanje zdravih granica poma\u017ee nam da o\u010duvamo svoje mentalno zdravlje, pobolj\u0161amo odnose i spre\u010dimo sagorevanje na poslu.<\/p>\n
Jer, kao \u0161to ka\u017ee psiholo\u0161kinja Becky Kennedy: \u201ePostavljam granice ne zato \u0161to ne volim svoj posao, ve\u0107 zato \u0161to \u017eelim da nastavim da ga volim.\u201c<\/p>\n
\u00a0<\/p>\n
Ovu epizodu su kreirali:<\/strong> novinarka Marija Mar\u010deta ipodkast producentkinja Aleksandra Bu\u010dko Uvodna numera: Guitar Electro Sport Trailer –Gvidon Levkin\/Bardyuzha<\/strong><\/a> sa \u00a0Pixabay<\/strong><\/a> Fabrika kreativnosti u svom radu koristi ve\u0161ta\u010dkuinteligenciju (VI): generi\u010dki jezi\u010dki model poput ChatGPT-ja, kao i programe za transkripciju. Svi alati VI koriste se isklju\u010divo uz nadzor novinarki, podkast producenata i potpadaju pod uredni\u010dku nadle\u017enost kako bi se potvrdilaistinitost podataka.<\/p>\n Finansiran od strane Evropske unije, program Innovation.Media. Minds.: EU podr\u0161ka javnom novinarstvu na Zapadnom Balkanu, sprovodi Goethe-Institut u ime Evropske komisije, u saradnji sa DW Akademijom.<\/em> Postoji trenutak kada se zapitamo gde su granice. Gdeprestaje na\u0161 li\u010dni prostor, a gde po\u010dinje odgovornost prema drugima? Kada obaveze postaju prete\u0161ke i kada je vreme da ka\u017eemo \u201ene\u201c? Granice nisu uvek fizi\u010dke. One su i mentalne, emotivne iprofesionalne. Postavljanje zdravih granica poma\u017ee nam da o\u010duvamo svoje mentalno zdravlje, pobolj\u0161amo odnose i spre\u010dimo sagorevanje na…<\/p>","protected":false},"author":3,"featured_media":58932,"comment_status":"close","ping_status":"closed","sticky":false,"template":"","format":"audio","meta":{"footnotes":""},"categories":[345],"tags":[],"class_list":["post-393257","post","type-post","status-publish","format-audio","has-post-thumbnail","hentry","category-umologija","post_format-post-format-audio"],"_links":{"self":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts\/393257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/comments?post=393257"}],"version-history":[{"count":1,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts\/393257\/revisions"}],"predecessor-version":[{"id":393258,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts\/393257\/revisions\/393258"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/media\/58932"}],"wp:attachment":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/media?parent=393257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/categories?post=393257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/tags?post=393257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Dizajn zvuka<\/strong>: Aleksander Siv\u010d\u00a0<\/p>\n
Dodatna muzika:Nightfall \/ Future Bass Music<\/a> – <\/strong>OlegFedak<\/a>, Documentary_Tidal – Yurii Semchyshyn<\/a>, The Other Side – Yurii Semchyshyn<\/a>, Legacy 50 LightningTraveler<\/a>, Dark Mysterious True Crime – Joel Fazhari<\/a>
Produkcija: Fabrika kreativnosti<\/p>\n
Sadr\u017eaj ovog teksta isklju\u010diva je odgovornost Fabrike kreativnosti i O radija, Javne medijske ustanove Radio-televizije Vojvodine i ne odra\u017eava nu\u017eno stavoveEvropske unije.<\/em><\/p>","protected":false},"excerpt":{"rendered":"