Kako izgleda rad u sistemu gde pre\u017eivljavanje zahtevaprekovremeni rad? O burnout-u, granicama i pravom liderstvu u Srbiji. <\/p>\n
U Srbiji, u 2025. godini, gra\u0111ani izdvajaju \u010dak 40% svojihprihoda samo za hranu. Ako tom neophodnom tro\u0161ku dodamo ra\u010dune, kiriju i osnovne higijenske proizvode, postavlja se pitanje: koliko prose\u010dan gra\u0111anin mora da radi samo da bi pre\u017eiveo i obezbedio osnovne potrebe kao \u0161to su krov nad glavom, hrana i zdravlje? Pitanje nije koliko mora da radi<\/strong><\/em> da bi zaradio, ve\u0107 da li mo\u017ee da pre\u017eivi ako ne radi dodatno. U takvom svetu, gde rad nije izbor ve\u0107 nametnuta nepravda, idealizacija prekovremenog rada nijesamo iluzija \u2014 to je sredstvo sistema koji nas iscrpljuje i isklju\u010duje. U tom kontekstu, glorifikacija kulture neprekidnog rada i zanemarivanja odmora, kao i lo\u0161e rukovo\u0111enje, postaju glavni mehanizmi odr\u017eavanja tog pritiska \u2014 ali i mesta za otpor.<\/p>\n *<\/p>\n Ovu epizodu su kreirale<\/strong>: novinarke Marija Mar\u010deta iMilana Vojnovi\u0107<\/p>\n Podkast producentkinja<\/strong>: Aleksandra Bu\u010dko<\/p>\n Dizajn zvuka<\/strong>: Aleksander Siv\u010d\u00a0<\/p>\n Uvodna numera<\/strong>:\u00a0Guitar Electro Sport Trailer \u2013\u00a0GvidonLevkin\/Bardyuzha<\/a>\u00a0sa\u00a0\u00a0Pixabay<\/a><\/p>\n Dodantna muzika<\/strong>:<\/p>\n Rock Music by Rockfan572<\/a>, <\/u>Feeling So Good (Vertigo) Music by AlexGrohl<\/a>, <\/u>Lofi Chill Music by DELOSound<\/a>,Dystopian Drum Beep warning Sound Effect by freesound_community<\/a>, Nightfall \/ Future Bass Music Music by Oleg Fedak<\/a>, Elevator Music bossa nova background music ( Version 60s) Music by music_for_video<\/a>, Circus Sound Effect by Byron<\/a> sa Pixabay<\/a><\/p>\n Efekti<\/strong>:<\/p>\n Soft Transition Sound Effect by Aviana_Phoenix<\/a>, Single Coin Sound Effect by Otto<\/a>, 100 Bank Notes Counted on Loose Note Counter \u2013 No Errors Sound Effect by ArunangshuBanerjee<\/a>, Mining Ambience Sound Effect by AlexanderJauk<\/a>, Nature Ambience Sound Effect by u_vr5icvkppa<\/a>,Beep warning Sound Effect by freesound_community<\/a>,<\/u>Applause Sound Effect by Driken Stan<\/a>, Sipping coffee Sound Effect by freesound_community<\/a>, New Notification 09 Sound Effect by Universfield<\/a>, Applause, cheer Sound Effect by Driken Stan<\/a>, 1 Bike on a nautral road Sound Effect by freesound_community<\/a>, Car Stop Breaks Screech Engine Rev Sound Effect by freesound_community<\/a>, car horn Sound Effect by freesound_community<\/a>, Electric Car Passing by Sound Effect by freesound_community<\/a>, wah wah sad trombone Sound Effect by freesound_community<\/a>\u00a0sa Pixabay<\/a> <\/p>\n Produkcija<\/strong>: Fabrika kreativnosti<\/p>\n Fabrika kreativnosti u svom radu koristi ve\u0161ta\u010dkuinteligenciju (VI): generi\u010dki jezi\u010dki model poput ChatGPT-ja, kao i programe za transkripciju. Svi alati VI koriste se isklju\u010divo uz nadzor novinarki, podkast producenata i potpadaju pod uredni\u010dku nadle\u017enost kako bi se potvrdilaistinitost podataka.<\/em><\/p>\n Finansiran od strane Evropske unije, program Innovation.Media. Minds.: EU podr\u0161ka javnom novinarstvu na Zapadnom Balkanu, sprovodi Goethe-Institut u ime Evropske komisije, u saradnji sa DW Akademijom.Sadr\u017eaj ovog teksta isklju\u010diva je odgovornost Fabrike kreativnosti i O radija, Javne medijske ustanove Radio-televizije Vojvodine i ne odra\u017eava nu\u017eno stavove Evropske unije.<\/em><\/p>","protected":false},"excerpt":{"rendered":" Kako izgleda rad u sistemu gde pre\u017eivljavanje zahtevaprekovremeni rad? O burnout-u, granicama i pravom liderstvu u Srbiji. U Srbiji, u 2025. godini, gra\u0111ani izdvajaju \u010dak 40% svojihprihoda samo za hranu. Ako tom neophodnom tro\u0161ku dodamo ra\u010dune, kiriju i osnovne higijenske proizvode, postavlja se pitanje: koliko prose\u010dan gra\u0111anin mora da radi samo da bi pre\u017eiveo i…<\/p>","protected":false},"author":3,"featured_media":58932,"comment_status":"close","ping_status":"closed","sticky":false,"template":"","format":"audio","meta":{"footnotes":""},"categories":[345],"tags":[],"class_list":["post-383348","post","type-post","status-publish","format-audio","has-post-thumbnail","hentry","category-umologija","post_format-post-format-audio"],"_links":{"self":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts\/383348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/comments?post=383348"}],"version-history":[{"count":1,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts\/383348\/revisions"}],"predecessor-version":[{"id":383349,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts\/383348\/revisions\/383349"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/media\/58932"}],"wp:attachment":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/media?parent=383348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/categories?post=383348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/tags?post=383348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}