{"id":35219,"date":"2021-03-05T09:27:06","date_gmt":"2021-03-05T07:27:06","guid":{"rendered":"https:\/\/podcast.rs\/zadovoljstvo-u-tekstu-camac-u-pustinji\/"},"modified":"2021-03-05T09:27:06","modified_gmt":"2021-03-05T07:27:06","slug":"zadovoljstvo-u-tekstu-camac-u-pustinji","status":"publish","type":"post","link":"https:\/\/podcast.rs\/en\/zadovoljstvo-u-tekstu-camac-u-pustinji\/","title":{"rendered":"ZADOVOLJSTVO U TEKSTU &#8211; \u010camac u pustinji"},"content":{"rendered":"<p>U dana\u0161njoj epizodi Zadovoljstva u tekstu, pod nazivom \u201c\u010camac u pustinji\u201d, Vladimir Ceri\u0107 je progonio Biljanu Srbljanovi\u0107 da gledaju veoma cenjeni i nagra\u0111ivani film \u201cNomadland\u201d rediteljke Chloe Zhao. Film je hibridna forma igranog i dokumentarnog, ali su granice dva izraza potpuno nevidljive, bez upadljivog \u0161ava rediteljka prati grupu natur\u0161\u010dika, ameri\u010dkih nomada, kako se poeti\u010dno nazivaju ljudi koji \u017eive u pokretu, u svojim kamp prikolicama, kombi vozilima pretvorenim u minijaturne stanove, jednim delom u potrazi za poslom i izvorom zarade, u recesijom zahva\u0107enoj Americi. Ona druga dimenzija, koju rediteljka nagove\u0161tava, a to je da je nomadstvo i prekarni \u017eivot neka vrsta li\u010dnog izbora na\u0161ih junaka, ta\u010dka je oko koje se Syth i Keller spore. Frensis Mekdormand, u glavnoj ulozi, prisutna u gotovo svakom kadru, malo govori, vi\u0161e posmatra i \u017eivi pred kamerama, \u0161to je nekima fenomenalno, a nekima no\u0107na mora i poziv na obra\u010dun sa televizorom.<\/p>\n<p>Hvala \u0161to slu\u0161ate, \u0161erujete, lajkujete i komentari\u0161ete, i poma\u017eete nam da budemo vidljiviji.<\/p>","protected":false},"excerpt":{"rendered":"<p>U dana\u0161njoj epizodi Zadovoljstva u tekstu, pod na\u2026<\/p>","protected":false},"author":3,"featured_media":15899,"comment_status":"","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[80],"tags":[],"class_list":["post-35219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-remarker"],"_links":{"self":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts\/35219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/comments?post=35219"}],"version-history":[{"count":0,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/posts\/35219\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/media\/15899"}],"wp:attachment":[{"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/media?parent=35219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/categories?post=35219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/podcast.rs\/en\/wp-json\/wp\/v2\/tags?post=35219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}